Et la fête ! continue 2023 H264.BRRip Download via Magnet
27/16
The collapse of the buildings on Marseille’s rue d’Aubagne occurred on November 5, 2018 at 9 am
Story
In the working-class neighborhood of old Marseille, Rosa is the heart and soul of her community, a nurse and matriarch of a large and close-knit family. She meets Henri and realizes that it is never too late to make her dreams come true.
and killed eight people
These were two collapsed buildings in the city center. This tragedy begins the film; Robert Guédiguian has become a committed director of our time.
his masterworks " La Ville Est Tranquille" " Les Neiges Du kilimandjaro" or the neglected "Une Histoire De Fous " are sweet tales that go straight to the heart: generous, brave, full of compassion
Like his English peer Kenneth Loach, Robert Guédiguian represents the other side of the mirror; in the French feel-good scene, his works are more relevant than ever; because they are not exactly what they call ‘feel-good’; although there are moments in his work that give the viewer more joy than fashionable hip flicks. Rosa (the wonderful Arianne Ascaride, Guédiguian’s life partner and the protagonist of most of his films) has these lines that are key to the film: “Who has to have two lives: one to take care of ourselves and the other to take care of our loved ones” Like many of the director’s films, “et la fête” is the chronicle of a Marseille family, the script is made up of plots.
Her dad (the wonderful Darroussin, Guédiguian’s favorite actor, he often played opposite Ascaride) will be the light that still shines on Rosa’s darkest night
I always thought Julien Duvivier was Guédiguian’s closest relative, especially in “La belle équipe” “sous le ciel de Paris” and “la fête à Henriette” (of which the “à l” is a kind of political piece) Rosa, now sixty; her life: a devoted nurse – the scene where she consoles her black colleague, desperate because she did not hold her patient’s hand when he died, is charming – she is also activist, she has so many tasks at once that it becomes impossible to complete them; despair is approaching, and during the meeting about the candidates for the list, she breaks out. Her son has found the woman of his life and intends to have many children; moreover, the father of the future bride is also an activist who is fascinated by Rosa; on paper it may seem melodramatic, but Guédiguian’s behavior avoids pathos and dramatization; The love of the young man, escaping from shame, shows him that life can go on, even if not according to his plans.
Together they will fight against the “marchands de sommeil”; (sleep dealers) who rent out apartments unfit for habitation, on stage, around the bust of Homer, where the voices multiply until they become one
The heroine eventually relaxes and recognizes that the personal is personal as well as political; this in turn makes her a sweeter and more effective ;Aznavour classic."emmenez moi" Unlike most of his colleagues, Guédiguian uses the FRENCH songbook as a transparent metaphor: behind the harsh realities of life, happiness is not unattainable.
